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The H6 zom the zoomm portable iz. With its advanced preamps and interchangeable capsules, the H6 delivers unmatched versatility and award-winning quality. From the studio to remote locations, podcasts are produced everywhere. With inputs n6 every guest, the battery-powered H6 is a complete portable podcasting solution.

Featuring interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at по этому адресу. Record continuously for over 20 hours with just four Gkod batteries or extend your recording time indefinitely with the optional AD adapter. Жмите Handy Recorder Gokd Pack.

Protective Case for H6 Handy Recorder. Facebook YouTube Twitter Instagram. Change language Help Center. Close Menu. Change language. Products Handy Recorders.

Field Recorders. Продолжить Recorders. Video Нажмите чтобы увидеть больше. Audio Interfaces.

Vocal Processors. Accessibility Statement. Help Center. Creative Versatility From podcasting to music to filmmaking and more, the H6 is your go-to recorder. Podcast Anywhere From the studio to remote locations, podcasts are produced everywhere. Sound for Every Scene Featuring interchangeable mic capsules, four combo is zoom h6 a good audio interface and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Image Gallery. XYH-6 Mic Capsule. The capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. MSH-6 Mic Capsule. Mid-side mic magic. XYH-5 Mic Is zoom h6 a good audio interface. SGH-6 Mic Capsule. The SGH-6 Shotgun capsule adds a professional-quality hyperdirectional that is, highly directional microphone turning your H6 or H5 into the perfect audio recorder for anyone zopm in film, video or live theater, or for ENG electronic news gathering applications.

EXH-6 Mic Capsule. It allows you to connect two additional discrete channels for external microphones, instruments, mixers or portable music players. SSH-6 Mic Capsule. The SSH-6 mid-side stereo shotgun capsule includes a super-directional microphone for picking up sound in the center, is zoom h6 a good audio interface well as a bidirectional side mic for picking up sounds from the left and right.

This allows you to record a fully mono-compatible stereo image—ideal for film, video, and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired interfaxe of environmental sound captured by the side mic directly on your Zoom recorder, or in postproduction.

A hairy ingerface is included for reduction of wind noise. The H6 records individual WAV files in any of the following formats:. What’s in the Box. Here’s what comes included with the H6. Related Products.

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Is zoom h6 a good audio interface.Can I Use Zoom H6 As Audio Interface?


Each input comes with independent phantom power, dB pads, and built-in effects like filtering, compression, and limiting. The Zoom H6 will even comes with auto-record, pre-record, and backup-record functionality, the latter of which can capture two dB tracks for safety from any of the inputs. As a proper field recorder, the H6 will run for approximately 20 hours off of 4 AA batteries. As a powerful recorder on its own, the Zoom H6 can actually function as an audio interface as well.

Just like a nice desktop interface, the device will also print any effects you have enabled, such as the high-pass filter ranging from 80 to Hz , and one of three compression presets, and one of two limiting presets.

There are so many styles and brands of audio interfaces. I have been podcasting for over two years with hundreds of hours recording. The audio interface is one of the most important parts of any type of recording. The Zoom H6 is a very good audio interface to use for home or on location recording. There are quite a few features that make the Zoom H6 my choice for my recording interface. The form, fit and function of the Zoom H6 make it one of the best audio interface recorders that I have ever used.

Audio Interfaces simply converts a analog signal to digital signal. This way your computer digital can recognize the signal from a microphone analog and can use the data from digital signal in software on your computer. A simple example would be to plug your microphone to the input of the Zoom H6. The Zoom H6 fits in one hand. You can get a pretty good quick live recording if you take a basic 2-track out from a live console and also use the in-built X-Y mics like people have been doing on Zoom recorders for many years; on this unit you get the option to use 4 tracks, and that massively improves the options for getting a good gig tape, but you’re going to have to do some processing later to take advantage of it.

You CAN do all that completely within the menus of the H6, but it’s much easier to take the SD card out of the H6 and copy it to a computer and mix it in a DAW later; you get a voucher for some pretty decent software for a freebie capable of just that and much more with it.

My tip is, for a good gig tape, load the tracks up on your DAW and time-align them you need to delay the line input tracks to match the X-Y mics, as due to the finite speed of sound they take a little longer to reach the H6 than the line inputs. Then process and blend to taste; MUCH better than raw 2-track outputs from the console and the 2 recordings will help fill each other’s gaps in the mix. Tip 2: throw a multi-band compressor over the line outs; desk tapes always seem to have too much vocal, but if you adjust one band of the multi-band dynamic processor to vocal range and squash it pretty hard, it will tame your relative levels even after recording.

Now, blend to taste with the mics track and there’s a much more usable gig recording. Any Zoom recorder is worthwhile for this but the H6 with the option for mics plus 4 tracks, or no mics and 6 tracks, offers much better options. It can also function as a 6-in, 2-out interface over USB, handy!

I’ve only tried this to see it work, not to record a real project, but the sound quality was a pleasant surprise and it all worked easily for me without complications. That’s a real value-adder. I marked it down just a little for value because you will need to use at least some of the accessories and that isn’t always as good a deal as the basic recorder which really IS a good deal. It’s very well made for this type of product; it and the XLR module are metal, not plastic, and feels robust.

I think the inputs are all a bit too sensitive, you usually need to keep the gain at just over zero at zero they won’t work! And you need to use good, expensive high-capacity batteries if you’re using phantom power, and those batteries won’t last long! The good news is, one setting allows you to set it for rechargeable NiMH batteries like the AA’s you can get at supermarkets; make sure to use this setting if you do as it will then be at 4. Get a power bank, and the correct cable don’t lose it!

Overall I’m very happy with mine, and find it practical and worth it to take to my gigs to record any time I want. Sound quality and its audio features are much better than I would have guessed. I got the H6 because it’s just slightly less cluttered; I’d have much rather had 8 inputs and the more modern interface, but I cannot cope with 8 leads stuck out all over the place so I had to get the H When it comes to what you get in the box, the All Black edition actually gives you fewer things.

In the new edition, you no longer get the carry case, and you don’t get an MS capsule either. In terms of the insides of the device itself, nothing has changed. For some of you, who needed the MS capsule, your best bet is to either buy it separately, or to search on eBay for an older Grey version of the H6, which had it.

With that in mind, I assume Zoom did the market research, and came to the conclusion that most people don’t care about the MS capsule, thus it being removed. Do you find yourself in need of recording location audio? Plug in a boom and a few radio mics into the Zoom H6, and you can get started.

Do you want to record a demo with your band? You can record on the go, wherever you might be. Do you want to record a podcast? You can plug your microphones into this device, and you can monitor each level individually. By the way, as a quick note, whilst the Zoom H6 can provide Phantom Power to the four built-in inputs, it can not be provided to the Combo capsule.

In effect, if you need phantom power on five or six microphones, you might be better off with the Zoom H8 instead. Zoom has announced that they are working on a replacement for the combo capsule, which will be able to provide phantom power to its mics, but the device is not yet out at the time of this recording. I wanted to cover one of the more useful features of this device, and at the same time discuss its limitations.

The Zoom H6 has a feature called a dB backup. What it does is when recording, it creates a version of the recording, which is 12dB quieter. The reason for this is that if you get too loud when recording, and you get distortion, you can go into the dB safety track, and replace the distorted clip with the quieter, undistorted version. This sounds fantastic in theory, but there is an issue.

When I first heard about this, my assumption was that this feature could be applied to all six inputs, or at the very least the four built-in ones. The strange thing about this is that I’ve seen quite a few conflicting opinions online. Some people say that they’ve managed to get backups of XLR microphones, other say that they can’t. That might actually work, but that’s a use case that applies to very few people.

This does not affect someone like me, who uses the Zoom H6 in conjuncture with the SGH-6 Shotgun Microphone Capsule , but it would impact someone recording a podcast for example. I assume this feature is incomplete due to a limitation in processing power. If you know a workaround for this, make sure to leave it down below in the comments. Now that we’ve covered safety tracks, I actually want to talk about setting healthy levels, and how to avoid needing a backup track in the first place.

Here is the simplest way I can describe setting levels: Peak as high as you can, without actually clipping. In practical terms, set your levels so that you don’t really peak above -6dB, try to keep the average around dB, with softer sounds hitting around dB.

You’ll find a lot of debate online as to how you should set this, but use the numbers I gave you, and play around with your device until you get results that you like. When in doubt, it’s better to set them too low, than too high. If it’s too high, your recording will be distorted, which will make it unusable.

If it’s too low, you’ll get hiss in your recording, but that’s better than the alternative. Let’s talk about sample rates, bit depth, and file types. I’m not only going to run you through which sample rates, bit depths, and file types are supported by the Zoom H6 , but I’m also going to tell you which you should use.

First off, you can pick between 16 and 24 bit rate. Go ahead and just stick with 24bit. In terms of file type, always use. WAV files. This will produce a file rich in audio information, which is always preferable to an. MP3 intentionally excludes some data, which will somewhat degrade the quality of your audio, in the interest of smaller file sizes. The only instance you’d want to use. MP3 is if you strictly use your Zoom H6 as a dictaphone.

If that’s your use case, then go ahead, but most people looking for dictaphones will usually opt for a smaller, and cheaper device. When it comes to sample rate, you have a few options. I’m not going to go into the science of it, but you can think of sample rate kind of like frames per second in video.